Unlike many other genres of film, horror movie soundtracks play as important a role to the storytelling as the dialogue. The music tells you when to watch out for the killer, or when some is RIGHT BEHIND YOU! Many composers have made many different horror scores, but synthesizer music has helped change and shape the genre. The best horror synth scores either create something completely new, or they turn the conventions of film music on its head. Obviously, John Carpenter’s influence weighs heavy in the world of synthesizer-based horror music, but he doesn't stand alone.Many composers have spent years honing their craft to perfect creepy moments in film.
Film scores like those of Halloween, and Suspiria have gone on to have a life outside of the films that gave them birth, but they’re never better than when you’re hearing them pumped through the speakers of your local theater as a waft of fake fog blows across the screen and a terrified young woman brandishes a machete in the middle of an empty street. The scores listed here aren't just “the best.” They’ve managed to transcend the realm of non-diagetic music and effect the culture in terrifying ways.
What are some of your favorite synth based horror film scores? Did we miss out on something that you believe truly defines the genre? If so, tell us about it in the comments.
Oh, hi John Carpenter, how you doin'? Did you think you were going to read about horror film scores and not see something about Halloween? You can hear the inspiration from this seminal film score in everything from It Follows' pounding synth to Chopping Malls' swirling arpeggiated melodies. If there's a horror movie with a synthesizer in it, the composer has probably prayed to the patron saint of John Carpenter - who directed and scored Halloween - at least once or twice.
Also Rankedsee more on Halloween
To synth and film score fans everywhere, the score to John Carpenter's The Thing is basically the A-Team of non-diagetic sound. Morricone is one of the most prolific and well renowned composers of the 20th century, and Howarth became one of the most low key influential electronic composers while essentially creating Dolby Atmos and DTS sound immersion. Put those two together with John Carpenter and you've got a real "chocolate in your peanut butter" situation.
#126 on The Greatest Movie Themessee more on The Thing
Starry Eyes should have been one of those movies that people don't shut up about. It's one of those rare films that takes its influences and turns them inside out while creating its own breathtaking set pieces. Jonathan Snipes, the film's composer, uses an analog synth sound to create a fine texture that adds to the sometimes dream like, and often horrifying visuals of a young woman doing whatever it takes to make it in Hollywood. At times the score is reminiscent of the music of some of Disney's classic animated films, which adds to the existential terror.see more on Starry Eyes
Jeremy Schmidt's score for Beyond The Black Rainbow somehow manages to double down on the psychological terror of the film while tipping its hat to the compositions of Tangerine Dream, John Carpenter, and Giorgio Moroder, all the while creeping everyone out.
Also Rankedsee more on Beyond The Black Rainbow
No matter what you think about It Follows, the breakout indie horror hit of 2014, the immersive and genuinely frightening score by Disasterpiece is one of the coolest pieces of music set to film in a decade. It's one of the rare scores that works just as well in the theater as it does on a long overnight drive.
#37 on The Best Movies of 2015
#83 on The Best Movies of 2014see more on It Follows
Few people make better genre films than John Carpenter. One thing that helps set him off from the rest of the pack: he likes to have a hand in creating a lot of his scores. Released in 1980, The Fog has a score that relies heavily on the unnatural sounds of a synthesizer to work as atmospherics around the atonal piano pieces that Carpenter uses for melody in the film. It's an interesting technique that would go on to inspire film composers for decades to come.
#23 on The Best '80s Horror Movies
#2118 on The Best Movies of All Timesee more on John Carpenter's The Fog
Wendy Carlos has mentioned that she scored so many scenes that didn't make it into the final cut of The Shining that she has no idea how many pieces actually exist. First of all, that's crazy, but it also sounds exactly how we assume working with Stanley Kubrick was. Carlos' score makes use of early vocoder technology and even a few vocal samples. By itself the music is a masterpiece, but with the film it's transcendental.
Also Rankedsee more on The Shining
Suspiria includes a score that demands its listener sit up and take notice. Equally beautiful, playful, chaotic, and horrifying, the music for this Italian masterpiece is so deeply entrenched into the psyche of horror fans that it's impossible to think of the film and its music as separate entities.
#69 on The Best Slasher Movies
#1754 on The Best Movies of All Timesee more on Suspiria